My final post on photographing plants, in all their forms, deals with one of my favorite aspects of photography—color. My dad was an avid photographer as well, but he preferred to shoot a medium format camera loaded with black and white film. Then he’d disappear into his darkroom and spend hours dodging and burning, doing his best to emulate Ansel Adams.
Me? I want color, and the more, the better. Happily, gardens are colorful places.
Last month I wrote about keeping your photo simple—isolating the subject and avoiding distractions. But there’s much more to composition, many more ways to make your photos terrific. Here are a few tips and suggestions you may find helpful. Continue reading
The fun part of taking pictures of plants is going out into the garden, admiring all the flowers, and creating magnificent photos. The not-as-fun part is understanding the technology behind your images. Yet, if you’re going to get great shots, you need to know a little about how your camera works.
This is the last (at least for a while) post in my series on better bird photography. If you missed the earlier posts, just type “bird photography” into the search box at right. I guess you could call these the odds and ends I didn’t mention earlier!
I think of line as the path my focus takes as it moves through a photo. Where do I look first? Where do my eyes go from there? In these examples, my eyes follow an S-curve as I look at the Swan Goose, while they move diagonally through the photo of the Black-necked Stilt. There’s a reason that pictures of meandering rivers and paths are so popular. We visit all parts of the image as we wind our way through. Continue reading
As I mentioned last month, if we want our photography to look like art, we need to study art. I find that the more I learn about composition and design, the better my pictures turn out. Here are a few more things to consider when looking through your viewfinder.
Objects in a photograph have visual weight to them. Imagine that your photo is a seesaw, supported by a point in the middle. For example, a large, black crow to the right of the picture will tend to pull that side downward unless balanced by something else on the left side. Just as with actual weights, two or three smaller objects can balance one big one. Most pleasing pictures are visually balanced. Remember that a large open space can also have weight, so you don’t need clutter your composition. Continue reading
As I pulled up the driveway and into the garage, I noticed a large object in a plastic grocery bag, nestled against the front door. Upon inspection, I realized it was a Kabocha squash. What was it doing on my doorstep? My first guess proved correct—our elderly neighbor, a former master gardener, had grown it and was showing off his gardening prowess by sharing his harvest with us.
I was quite impressed. We live at an altitude of about 7,000 feet and long-season veggies don’t have time to mature during our short growing season. Still, the evidence was right in front of me. Somehow, Oscar had managed to grow a (very delicious) Kabocha squash. I was determined to do likewise.
As nighttime temperatures dip into the teens, I have to face the fact that I won’t be outside gardening any time soon. Happily, a good part of my garden lives in my house with me. After a busy summer (punctuated by fire, hail, and floods), I finally have time to give my houseplants the attention they deserve.
Unless the plants are in dire straits, I prefer to wait on repotting until spring. Then, the longer days, larger pot, and fresh potting mix combine to encourage new growth. Except for the plants that are winter bloomers (Christmas cactus, some orchids), at this time of year I give my plants a rest by cutting back on fertilizer and watering just enough to keep the soil moist.